{"id":5786,"date":"2018-03-25T18:03:32","date_gmt":"2018-03-25T23:03:32","guid":{"rendered":"http:\/\/www.daveomeara.com\/home\/?p=5786"},"modified":"2018-04-05T07:50:50","modified_gmt":"2018-04-05T12:50:50","slug":"memoria-a-play-by-tramaluna-teatro","status":"publish","type":"post","link":"https:\/\/www.daveomeara.com\/home\/5786\/","title":{"rendered":"Memoria, a play by Tramaluna Teatro"},"content":{"rendered":"

Leer en espa\u00f1ol<\/a><\/em>.<\/p>\n

The stage was different than the night before, but not much: the one at Sala Seki Sano<\/em> instead of the one at Teatro La Candelaria<\/em>, its next-door neighbor; and the people on stage were also very familiar: the two actresses of Si el río hablara (If the river talked), <\/em>Nohra González and Alexandra Escobar, formed the entire cast of the play Memoria<\/em>, by Teatro Tramaluna, which I saw Thursday night.<\/p>\n

I haven’t seen the organization chart of Tramaluna Teatro, but it seems to be a vehicle for the projects of Patricia Ariza that don’t fit in the the repertory of Teatro La Candelaria, the famous experimental theatre group of which Ariza, González and Escobar all part. In any case, Patricia Ariza is a very busy woman and this week even more so: according to the newspapers she seems to be the director of Corporación Colombiana del Teatro<\/em>, of the Festival de Teatro Alternativo<\/em>, of the Teatro La Candelaria<\/em> and, above all, of four plays (at least, by my count) that are being put on the the first week of Festa 2018<\/em>. It’s a lot, but apparently not too much: if Memoria<\/em>, a play that takes less than an hour, is a small side project, it is nonetheless a theatrical experience of he highest quality, in which physical technique, intelligent analysis, and unwavering passion join together.<\/p>\n

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A post shared by Corporaci\u00f3n Colombiana Teatro (@cctdeteatro)<\/a><\/p>\n<\/div>\n<\/blockquote>\n