{"id":6057,"date":"2023-03-31T17:15:49","date_gmt":"2023-03-31T22:15:49","guid":{"rendered":"https:\/\/www.daveomeara.com\/home\/?page_id=6057"},"modified":"2023-09-01T09:44:24","modified_gmt":"2023-09-01T14:44:24","slug":"teratologia","status":"publish","type":"post","link":"https:\/\/www.daveomeara.com\/home\/6057\/","title":{"rendered":"Teratolog\u00eda: cuatro escenas de muestra"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">En un escenario desnudo, en el centro, hay tres sillas sencillas sin brazos, colocadas una al lado de la otra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No se intenta denotar una estaci\u00f3n de tren.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los dedos de cada una de sus manos est\u00e1n extendidos, apoyados como arbotantes en las sillas contiguas. A medida que avanza la escena, la mano derecha gesticula libremente. La mano izquierda no se mueve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un hombre se sienta en la silla central.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"escena-17\">Escena Uno<\/h3>\n\n\n\n<figure class=\"wp-block-video\"><video style=\"aspect-ratio: 1280 \/ 720;\" controls src=\"https:\/\/www.daveomeara.com\/home\/wp-content\/uploads\/2023\/09\/01_Escena_Titulo.mp4\"><\/video><\/figure>\n\n\n\n<!--more-->\n\n\n\n<h3 class=\"wp-block-heading\">Escena Ocho<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">La obra tiene veintiuno escenas, marcadas por cambios de luz o de otra tecnolog\u00eda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En Escena Ocho, el hombre se aprovecha de un momento de calma en la estaci\u00f3n<br>para hacer, una vez m\u00e1s, un recuento.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video style=\"aspect-ratio: 1280 \/ 720;\" controls src=\"https:\/\/www.daveomeara.com\/home\/wp-content\/uploads\/2023\/09\/08_Escena_Titulo.mp4\"><\/video><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"escena-18\">Escena Quince<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A medida que avanza el mon\u00f3logo deber\u00eda ser cada vez m\u00e1s obvio para el p\u00fablico &#8211;por la luz o el video, depende de la producci\u00f3n&#8211; que algo est\u00e1 pasando con la mano izquierda del hombre. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pero \u00e9l s\u00ed mismo no se da cuenta hasta Escena Catorce, cuando est\u00e1 casi anonadado por el descubrimientoque su mano se ha convertido en algo extra\u00f1o, irreconocible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En la siguiente escena, la decimoquinta, el hombre trata de recordar c\u00f3mo era su mano cuando todav\u00eda era una mano.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video style=\"aspect-ratio: 1280 \/ 720;\" controls src=\"https:\/\/www.daveomeara.com\/home\/wp-content\/uploads\/2023\/09\/15_Escena_Titulo.mp4\"><\/video><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"escena-19\">Escena Diecinueve<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Con los ojos cerrados, el hombre se sorprende al descubrir que todav\u00eda puede ver la estaci\u00f3n a su alrededor. Ahora disfruta mirando su nueva mano y se pregunta qu\u00e9 puede ser. Decide que definitivamente es algo fino y exquisito, como un aparato cient\u00edfico antiguo o un juguete caro o incluso un instrumento musical.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Al final de la Escena Dieciocho con los ojos todav\u00eda cerrados, oye que alguien le habla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La voz de mujer. Le dice que admira su \u00abinstrumento hermoso\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le pide que se siente a su lado.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video style=\"aspect-ratio: 1280 \/ 720;\" controls src=\"https:\/\/www.daveomeara.com\/home\/wp-content\/uploads\/2023\/09\/19_Escena_Titulo.mp4\"><\/video><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The first seven scenes:<\/p>\n\n\n\n<div style='padding:56.25% 0 0 0;position:relative;'><iframe src='https:\/\/vimeo.com\/showcase\/10569086\/embed' allowfullscreen allowautoplay frameborder='0' style='position:absolute;top:0;left:0;width:100%;height:100%;'><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>En un escenario desnudo, en el centro, hay tres sillas sencillas sin brazos, colocadas una al lado de la otra.<\/p>\n<p>No se intenta denotar una estaci\u00f3n de tren.<\/p>\n<p>Los dedos de cada una de sus manos est\u00e1n extendidos, apoyados como arbotantes en las sillas contiguas. A medida que avanza la escena, la mano derecha gesticula libremente. La mano izquierda no se mueve.<\/p>\n<p>Un hombre se sienta en la silla central. <a class=\"read-more\" href=\"https:\/\/www.daveomeara.com\/home\/6057\/\" title=\"Permanent Link to: Teratolog\u00eda: cuatro escenas de muestra\">&rarr;Read&nbsp;more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52],"tags":[],"series":[],"class_list":["post-6057","post","type-post","status-publish","format-standard","hentry","category-es"],"episode_featured_image":false,"episode_player_image":"https:\/\/www.daveomeara.com\/home\/wp-content\/plugins\/seriously-simple-podcasting\/assets\/images\/no-album-art.png","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":[],"rssFeedUrl":"https:\/\/www.daveomeara.com\/home\/feed\/podcast\/david-brendan-omeara","embedCode":"<blockquote class=\"wp-embedded-content\" data-secret=\"aHoZ45EUjJ\"><a href=\"https:\/\/www.daveomeara.com\/home\/6057\/\">Teratolog\u00eda: cuatro escenas de muestra<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.daveomeara.com\/home\/6057\/embed\/#?secret=aHoZ45EUjJ\" width=\"500\" height=\"350\" title=\"&#8220;Teratolog\u00eda: cuatro escenas de muestra&#8221; &#8212; David Brendan O&#039;Meara\" data-secret=\"aHoZ45EUjJ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! 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